It is almost blinding, sometimes, the snow on which the protagonists of this film move: with the right overexposition, which empowers the faintly dense tonality, without burning the details which make it a mirrored mantle and not a light source.
It is almost blinding, sometimes, the snow on which the protagonists of this film move: with the right overexposition, which empowers the faintly dense tonality, without burning the details which make it a mirrored mantle and not a light source.