Entering the city, Francesco films the umpteenth camera-car shot, showing the big living buildings of the outskirts. Once downtown, instead, he films streets and historical palaces, lingering with curiosity on the work of a shoeshiner on a corner.
Entering the city, Francesco films the umpteenth camera-car shot, showing the big living buildings of the outskirts. Once downtown, instead, he films streets and historical palaces, lingering with curiosity on the work of a shoeshiner on a corner.