The film shows overhead shots of the jam and fruit processing factory in South Africa, providing an overview of the coordinated work of the workers engaged in the assembly line. The fruit being processed, probably the same mango filmed earlier on the trees, within the same reel, is transported on rollers along the various stages of the process. In a scene in the warehouse, Silvia Ferruzzi and Anna Livia Colombani observe the neat rows of stacked cans, ready for the final stages of production. The camera lingers on the details of the moving machinery, transporting both fruit and jars, emphasising the accuracy and mechanisation of the production process. Overhead panoramas offer a full perspective of the factory organisation, with workers working with precision on the production line.’